Post Processing

Mastering The Digital Workflow

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We are offering to the perusers of, the procedures we experience in our work process. Subsequent to uncovering our tips for the photographic work process, there are two sorts of work process that picture takers should focus on. In this article we will examine the other portion of the condition, that is, the computerized work process. How about we bounce directly into it!

Digital Workflow

This applies to everything that includes a PC, get pictures from the camera to preparing for print.

– Use a card peruser to bring pictures from your CF/SD card to your PC. (Try not to bring them over through your camera!)

– Download specifically to your hard drive – don’t acquire through iPhoto or another photograph program – This makes issues and disarray while attempting rename and separate individual pictures.

– Create a sorted out record structure so you can discover anything at a minutes take note.

– Bring pictures into Lightroom or Bridge to survey

– Bring pictures into Photoshop to modify

Download Directly To Your Hard Drive:

Make another organizer > Open up the DCIM envelope on your CF card > Select and drag pictures to new envelope you simply made

Document Structure:

My documents are fastidiously composed, as presented beneath:

Year > Month > Shoot date/name

Each shoot has a lot of 6 organizers that are worked in. Nothing exists outside of these 6 organizers. At that point comprise of:

1. Catch – All pictures shot from the session, further separated into envelopes dependent on look #

2. Crude Selects – ONLY the RAW records for the pictures I’ve chosen to modify

3. Working Files – PSD’s from the records I’ve modified

4. Last TIFFS – Flattened, last pictures prepared for print

5. High Res JPEGS – Flattened, last pictures in high-res prepared to pass out to my group/customer/and so on

6. Low Res JPEGS – Flattened, last pictures measured and arranged for web use

Looking into Images In Lightroom:

To the extent checking on pictures goes, there is no set in stone way, this is exactly how I do it. Once more, keeping with the equivalent careful record structure that I use to store my pictures, my Lightroom is sorted out a similar way so I can without much of a stretch flip between looks from a shoot.

– Flip through every one of the pictures (by look) and “banner” or “pick” whatever hops out at me at first by clicking “P”

– Use the channel choices to see just pictures that have been hailed. Further limit your choice, first by utilizing 1 ★ and working your way up to 4 ★’s.

– Once I get to 4 ★’s, I’ll see every one of my takes a gander without a moment’s delay to figure out which pictures work best together and stamp my last chooses as 5 ★’s.

– Create a contact sheet to send to customer/organization/whoever dependent on pictures appraised 4 and 5 ★’s.

To Create A Contact Sheet:

1. Select pictures in Lightroom

2. Record > Print or Select “Print” from the menu on upper right

3. Upper right pick “Single Image/Contact Sheet”

4. Play with “Design” to decide how your contact sheet is spread out

5. Spare your contact sheet as a PDF to email to customers and spare a duplicate for yourself in your recently sorted out document structure!

It’s useful to include document names under the pictures so you recognize what picture your customer is discussing.